Tango as a metaphor of life.
Tango to express love, passion, hate, the conflict between sexes, tenderness and violence. Where everybody follows its instinct to come back in rejoining in perfect synchrony with that of the other one.
Tango as provocation.
Tango of poor people, considered vulgar and prohibited in the salons. But danced by reach people in the half-light of the whorehouses.
Tango as memory and history.
Tango of emigrants, born by a milonguita danced in the pampas by people who has left everything for a new territory and paradoxically become famous by the pomp of American musical.
Tango as desire of freedom.
Tango excluded from dictatorship and entrusted to the poignant notes of the bandoneon of Argentinian people exiled as a scream of freedom.
Tango ambiguous and contradictory, as the time we are living.
| Choreography | Simona Cieri |
| Subject, sript content and screenplay | Rosanna Cieri |
| Music | various authors |
| Voice | Paola Lambardi |
| Light design | Patrizio Brutti |
| Costume design | Emanuela Bianciardi |
| Directed by | Rosanna and Simona Cieri |
